Source:; Author: Jyothi Raghuram; Photo Courtesy:

Shreya’s recital at the ADA Rangamandira in Bangalore last week threw up a few surprises. She has retained the freshness of face that was there at her debut recital, which was reflected in her enthusiasm, both being complementary to each other. “Natural” was what made Shreya’s facials so impressive. “Krishna Nee,” the Devaranama in Yaman Kalyani, was endearing, while “Arivenayya,” the padam in Athaana, vividly conveyed the anger of the nayika whose lover has strayed. Best of all, her mukhija is now full-blown, making her heartfelt dance that much more enjoyable.

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